Hi Everyone! Today we are taking a break from our regularly scheduled artifact corner videos to tell you about our special event happening this weekend. May 6th – May 8th, from 10 to 4, we will be opening up our most rare and unique artifacts for the public to see. This may be the only time you can see them out on exhibit due to how fragile many of them are. Admission for the event is $25 or $20 if you are already a museum member, and we can take cash or check at the door. We recommend that if you are attending, you bring your cell phone and some headphones, as we have many video and audio accompaniments to the artifacts. This is a can’t miss event for all of the history lovers in our community! We hope to see you this weekend!
Hi Everyone, and welcome back to another artifact corner. Today is a very special video for us. We will be looking at two artifacts that are almost never seen by the general public. These two pairs of shoes belonged to our Frances Henrietta, and are from the early 1830’s. Both pairs of shoes are made from a silk satin with leather soles, and delicate silk ribbons that would have been laced up around the ankle. These shoes are so delicate and lightweight, they would have felt like wearing almost nothing on your feet. These shoes are so special because they seem to have been worn very little. Both pairs of shoes still has the original makers tag in the soles, and the tags are in incredible condition. Let’s learn a bit more about women’s shoes in the 1830’s.
Shoe styles for women throughout the years have gone in and out of fashion just as frequently as did women’s clothing styles. Shoes for women in the late 18th Century looked very different from the shoes Frances Henrietta wore in the 1830’s. Women’s shoes in the later part of the 18th Century had more pointed toes, and stacked leather heels. They could be made entirely of leather, or be made of sumptuous fabrics and richly embroidered. But, following the French Revolution, fashions across Europe and the United States shifted dramatically, and that included shoe style. Gone were the heeled shoes, and in came very delicate flat soled shoes. They look similar to what we would call a ballet flat today. They have a soft leather sole, with either a leather of fabric upper.
These shoes were made on a straight last. A last is a wooden form shaped like a foot that is used by shoe makers to create or repair shoes. Having a distinct right and left shoe is a relatively modern concept. These shoes were made to be identical, and after some time being worn, would mold to wearers foot. The amazing thing about our shoes is that you can see both pairs are labeled with the words droit and gauche. In 1830 in France it was common to write on the sole of the shoe droit meaning right and gauche meaning left, and since French fashion was all the rage, shoemakers around the world copied that practice. You can clearly see that the shoemaker did that in Frances’ shoes as well. Frances’ father, Henry Delord, was born and raised in France and spoke and wrote fluent French, so it’s not hard to imagine that Frances would have delighted in this little nod to French fashion.
The makers of the shoes were J.L. Williams from Troy, NY and J.B. Miller from New York, NY. Even though Frances was a young woman, she had traveled to both of those areas in the early 1830’s. Sadly, Frances died from childbed fever when she was only 20 years old in 1834, and so her shoes, and many of her other possessions were packed up, and not worn again. It is likely because of this that these pieces are in such great condition! There is light staining on the silk, but the leather is in great condition, and the soles of the shoes are also in fantastic condition. These shoes are stunning and we are so lucky to have them in our collections. If you would like to see these shoes in person, you are in luck! We are kicking off our open season with a special event running May 6th through May 8th. It’s called Treasures from the Attic, and these shoes, and many of our never before seen or rarely seen artifacts will be on display for this special event. It’s a can’t miss event! For more information, check out the description box of the video for the museum’s contact info. We hope to see you there! And as always, thanks so much for stopping by!
Since the Secret Garden Tour is not happening this year, we thought we would share some images from past tours. Thank you to all those who opened up their gardens to share, and we hope to see you on next year’s tour!
Paula Calkins Lacombe, President of the Board at the Kent-Delord House Museum announced that the Museum recently earned another certificate for Stewardship of Collections, under the StEPS program,”. StEPS stands for Standards and Excellence Program for History Organizations. It is a program offered by the American Association for State and Local History
(AASLH) to assist history organizations to meet national standards for accreditation. The StEPS program is self-guided and allows small museums to develop professional standards.
Lacombe states, “With this accomplishment, we join over 190 groups across the country who have earned certificates; we are one of 1000 other history organizations working with the StEPS program.” The Board wanted to meet national museum standards and build a framework of excellence now and for the future and the StEPS program gave us the means to do so.” To date, we have received three certificates, however, this is our first Gold level certificate and represents the core of our existence. With the Museum’s unique collections of furniture, portraits, and documents, we can share true stories from three generations of the Delord family that cover over a 200-year old timeframe.
Today The Kent-Delord House Museum went live with their new and improved website. This is a mobile friendly “responsive” design that we think our patrons will find easy to use and browse. Stay tuned for more updates and features coming soon!